Buy more Rhône - 2023 Châteauneuf-du-Pape from Clos du Mont Olivet

December 2, 2024

Buy more Rhône
2023 Châteauneuf-du-Pape from Clos du Mont Olivet

This estate has been crafting fine Châteauneuf for as long as I can remember. Even in the most powerful Châteauneuf-du-Pape vintages they deliver wines with balance and elegance at their core.
Simon Larkin, November 2024

2023 Châteauneuf-du-Pape, Clos du Mont Olivet
£165 per 6 bottle case in bond

2023 Châteauneuf-du-Pape, La Cuvée du Papet, Clos du Mont Olivet
£300 per 6 bottle case in bond

We should all buy more Rhône!

There, I have said it. I remain a huge fan of Southern Rhône wines, even though demand has perhaps ebbed a little in recent years. I honestly think they offer exceptional value as release pricing has not increased appreciably in the last five years or so. And the quality of the 2023s I tasted this morning was exceptional…..the key to their success was the lack of excesses. These are beautifully-balanced Rhônes, with pure fruit and a more-ish ripeness. The 2023s aren’t as headstrong a vintage as you might expect from the climatic data. That’s all part of the Mont-Olivet magic.

The 2023 vintage produced rich, powerful wines in Châteauneuf-du-Pape and the wider Southern Rhône. The skill is achieving balance when you have a rich vintage on your hands. The approach employed by the team at Mont Olivet has delivered impressive results in 2023. They favour blends encompassing the full array of Châteauneuf varieties and have not been lured into producing numerous single parcel wines, instead continuing to recognise the value of a blend from across their terroir. The protracted harvest period in 2023 has benefitted varieties such as Mourvèdre and Counoise without a doubt, and the old vines that the domaine possesses were better placed to navigate the drier periods with their deep root systems. The 2023s come highly recommended.

I have said it before, but I am a huge fan of the Mont Olivet style. This estate has been crafting fine Châteauneuf for as long as I can remember. Even in the most powerful Châteauneuf-du-Pape vintages they deliver wines with balance and elegance at their core. This isn’t such an easy feat across some of the region’s terroirs, nor necessarily in recent vintages. It speaks volumes for the vineyards employed in their blends, but also the range of grape varieties grown. Clos du Mont Olivet is one of my favourite estates – it is run by three members of the Sabon family: Thierry, Celine and David.

By way of background, Châteauneuf-du-Pape offers a plethora of different styles; after all it is a very large appellation. From 2000 onwards, many estates started to experiment by creating micro-cuvées from old plots and employing new oak in an effort to chase reviews, yet all along the team at Mont Olivet stuck to their own style. There is something reassuringly classical at Clos du Mont Olivet. That is not to say that things have not evolved here, but rather that the estate and its wines have not lost their identity or typicity along the way.

Today the estate extends over 21 hectares in Châteauneuf-du-Pape, with a further 14 hectares in Lirac, an appellation to the west of Châteauneuf, supplemented by 10 hectares in the Côtes du Rhône and 3 in the Vin de Pays du Gard. Their vines in Châteauneuf-du-Pape are spread across the appellation and include some of the most famous lieux-dits (or named vineyards). But Châteauneuf-du-Pape is ultimately a blend, so the different locations and terroirs contribute to the complexity of the estate’s wines. Additionally, where many Châteauneuf-du-Pape have moved towards Grenache, with Syrah and perhaps Mourvèdre, or maybe even wines made from 100% Grenache, Mont Olivet has a terrific supporting cast comprising a whole host of lesser known yet historical southern Rhône varieties, such as Counoise, Vaccarèse, Muscardin, Terret Noir and Picpoul Noir as well as Cinsault. Incorporating all these vines ties in beautifully with their philosophy of being true to their roots and, of course, making complex, age-worthy wines.

Harvest time is a tricky period with so many different plots and varietals contributing to varied ripening times. Thierry is very careful with extraction – never wanting to push things too far by extracting too much from the skins; his preference is for elegance and, with fruit as rich as that in Châteauneuf-du-Pape, his approach regularly pays dividends, not least in the recent hot, dry vintages. Each variety is kept separate for the straight Clos du Mont Olivet, allowing them to assemble the blend once they have had the chance to evaluate the fruit from different parcels and varieties. The assembled wine is then aged in either old oak foudres, barrels or in vat. Making great Châteauneuf-du-Pape relies on a whole host of skills and, given the exercise of blending, there is added complexity to the tasks and the resultant wine. The consistency of the wines of Mont Olivet stands testament to the series of decisions taken and never ceases to fascinate me, just as it did on my very first visit to the estate’s cavernous cellars in the heart of Châteauneuf-du-Pape.

2023 Châteauneuf-du-Pape, Clos du Mont Olivet
£165 per 6 bottle case in bond
As soon as you nose this wine, you are sure to be impressed by the volume of fruit, as it shows a rare freshness to the scented, spiced raspberry and garrigue characters. It is hard to think the palate could be any more-ish; layered, with enough acidity to retain balance and direction. The fruit is so expressive, juicy, vibrant with cherry red fruits, raspberry ripple notes, some darker fruits too, as well as notes of provencal herb, black olive tapenade even. It is the juicy, round mouthfeel that really impresses. It would be no cardinal sin to broach this early, but it has the capacity to age. Such an impressively poised wine in the vintage, rendered all the more appealing by a slightly softer acidity. As ever, this is a bargain – count me in. Drink: 2025 – 2033 (SL)

2023 Châteauneuf-du-Pape, La Cuvée du Papet, Clos du Mont Olivet
£300 per 6 bottle case in bond
A darker, more brooding nature is evident on both nose and palate. The nose suggests dark loganberry fruit, black cherry, kirsch as well as notes of garrigue, yet there is a scented, almost floral overlay. So luxuriant on the palate, fine intensity and richness offset by bright fruit characters, that echo those on the nose, with liquorice and black olive tapenade once more. Certainly, there is more heft here, but it doesn’t come across as overtly heady at all, such is the quality and purity of the fruit. That blue-black fruit quality is certainly moreish once more. On the finish, which is incredibly long and flowing, there is a suggestion of stoney minerals, that adds tautness and tension to this impressive Chateauneuf. This looks set to join the great examples of this cuvée. Drink: 2027 – 2035+ (SL)

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Top tips and conclusions from the Atlas Big Barolo Bash

After our Big Barolo Bash held at Salisbury House, EC2M, on Wednesday 4th December 2024, I thought I would share a few thoughts as it is not often that you get the chance to compare 42 different Barolo spanning vintage 2011 to 2019.The wines shown were grouped by vintage rather than by grower. The aim was to encourage an understanding of vintage characteristics. We also felt this would spare clients the significant challenge of moving from a softer, lighter vintage to a richer, more tannic one and then back again in a repeated cycle through all producers. Deciding on a tasting order is never easy, even more so with a variety like Nebbiolo, known for its bright acidity and structural tannins. Our buyer, Seb Agnello, manned the 2018 and 2019 table. These two vintages show distinctly different styles. 2018 was a more mixed vintage, still with some notable successes. It is a lighter expression of the Nebbiolo variety, but by no means a poor vintage. It has always been our view that it was a misunderstood vintage; wines from this year have shown appreciably better after a little time in bottle, having been difficult to read when very young. From the wines shown, the Barolo Prapo from Ettore Germano impressed clients with its cherry red fruit – for a Barolo from Serralunga d’Alba, a commune known for richness and power, this is an incredibly pretty example, vintage in, vintage out. Chiara Boschis’ blended Barolo, Via Nuova, drawn from various crus from the across the region, received plenty of praise from clients, too. Perhaps the wine that impressed most from this selection was Vietti’s Cerequio 2018, which showed blue fruit touches, a fine freshness and those slightly rounder tannins that are common to La Morra. The 2019s were a last-minute addition and were the two single vineyard wines of Andrea Bosco which offered an opportunity to compare a Barolo from the lighter soils of Verduno with a richer wine from La Morra; respectively, the wonderfully refined Agostino Bosco, Barolo, Neirane and the darker, brooding Agostino Bosco, Barolo, La Serra. Clients seemed interested in how these two most recent vintages would shape up in time. While the 2019s are the product of hot year, these showed how that vintage manages to show a certain classicism. They will warrant 8 to 10 years in bottle before showing in their prime. In contrast, the 2018s, with their lighter accent, are already starting to show well, even if some of the leading examples will still demand 4- or 5-years patience before really starting to sing. The 2017 table was, for me personally, one of the most fascinating. Not only were some of the region’s most notable growers featured in this line up, but it showcased a vintage that I fear has been a little overlooked. 2017 was a hot and dry vintage and in an earlier era I don’t believe the wines would have come through as well as they have. Growers have had to adapt to modern day conditions in Barolo; whatever way you cut it, this is down to climate change. As I remarked to various clients, in the 1990s there were perhaps three notable vintages which delivered ripe fruit and fine structure, other vintages in which many growers lost precision and freshness in their wines but a greater number of years in which it proved tough to ripen Nebbiolo fully. Leaf-plucking became routine to expose the fruit to the sun and allow aeration. Rolling the clock forward, between 2010 and 2020 we have not had a bad vintage. There have been challenging conditions, but we have had four great vintages - 2010, 2013, 2016 and 2019. Then there have been some more mixed years, but ones in which good growers have nevertheless excelled. Today it is more about providing some protection to the fruit, as opposed to exposing it. This is quite an incredible switch around to have occurred in just 20 years. Growers have needed to learn fast – to learn how to prepare their vineyards for the modern-day challenges of heat and drought, when not so very long ago, the challenge was inclement weather. 2017 is a successful hot vintage, particularly given there were four months in the growing season without any rain. The cooler weather at harvest really assisted in providing freshness to the aromatics and brightness to the fruit; this was notably evident in the selection of 2017s at the tasting. The two wines from Brovia were just beautiful; both the Brea ‘Vigna Ca Mia’ and the Villero were way ahead of the quality that a reading of the vintage reports might suggest possible. Instead we found pure fruit, refined tannins, glossy textures and a complex amalgam of fruit nuances and tertiary notes. Equally compelling were the duo from Poderi Oddero. In the amazingly graceful Vigna Rionda, from one of the region’s finest terroir, Oddero has crafted a genuine beauty in 2017 and I would suggest it isn’t far removed from the quality they delivered in the tremendous 2016 vintage; this should be a wine on your watch list if you a fan of the finest Barolo. The Bussia Vigna Mondoca showed in a similarly impressive manner; Bussia, in Monforte d’Alba, is a controversially large cru but when you taste wines of this calibre, there is no doubting that it has the potential to rank highly, depending on the exact location of the vines within the . Very rich, with a deep damson, plum quality to the fruit and hints of spice, this rich Barolo will demand patience, even in a year like 2017 where some wines are starting to drink. In this latter category, we would place Vietti’s reliable Castiglione blend and, surprisingly, Vajra’s 2017 Ravera, which seems to show very little of the austerity that is more typical of this cool, elevated Novello cru. The 2016 table certainly drew considerable attention, as clients were aware that this vintage is considered to be one of the all-time greats. The 2016 vintage represented the perfect growing season with no excesses or problematic weather. These wines have such appealing fruit and fine tannin that a number show that they are already approachable though even the humblest from this vintage have ageing potential. The table was manned by Atlas’ Nick Pitcher, who commented that clients were impressed by the 2016 Barolo del Comune di La Morra from Renato Corino on account of its expansive, rounded fruit. Renato has always made rich, softly textured wines and his entry level Barolo, principally made from young vines in Rocche del’ Annunziata, has always been considered by Atlas to be something of a bargain; the 2016 is no exception in this respect. Brovia’s Barolo 2016, from across their holdings, also impressed, making for an impressive showing on the night for this traditional producer when you consider how well their 2017s showed. The Brovia and Corino 2016s offer great value, a point borne out by client purchases! Parusso’s lesser known Mariondino from Castiglione Falleto also won favour with its intense fruit, with the touch of oak adding tobacco and vanillin notes, one of the few wines in the room to be aged in that manner. Nick also showed the component wines of Arnaldo Rivera’s Collector’s Case, as Nick said what a vintage for the cooperative of Terre del Barolo to launch a premium mixed case. Clients were fascinated to taste six different crus, each from one of six of the different communes of Barolo, all from the same producer, and from the same vintage. As one client commented ‘A great dinner party experience to be had tasting single cru Barolo at a bargain price!’. It is hard to argue with that. While the Arnaldo Rivera wines aren’t in the Premier League of Barolo, they are well made, approachable and provide a good introduction to understanding the single cru vineyards and the communes that make up the patchwork that is Barolo. Unsurprisingly, the lighter tannins and juicy red from on the Monvigliero impressed various tasters as did the richer, Vigna Rionda. The inclusion of the 2016 Neirane from Agostino Bosco sparked interest too, with many clients returning to the 2019 to refresh the comparison; the 2016 is just starting to drink as this vineyard possesses lighter soils with an element of sand, whereas the 2019 will need more patience. Then finally, we had a mixed table spanning the vintages from 2015 back to 2011, manned by Atlas’ Toby Herbertson. This table was a real draw as it allowed clients some insight into how Barolo ages; this was very much needed as some clients weren’t particularly familiar with the region. Some clients started tasting here, which might not have made it easier to move onto younger wines thereafter. The ability to compare wines from the same growers in 2011 and 2012 fascinated people and both vintages impressed. 2011 is one of those vintages that is starting to drink really well – it was a hot vintage, by the standards of that point in time, but it was wonderful to see how, if anything, the wines seem to have picked up a little more precision as they have aged. Both the Sandrone Cannubi Boschis 2011 and the Vietti Ravera 2011 found favour. The 2012 Sandrone, Le Vigne, shows just how well Sandrone adapt to vintage conditions. The 2013 Cappellano Pie Rupestris was very popular on the night; clients were impressed by the complexity and quality, though some struggled to spot the value in contrast to other wines shown. The conversation surrounding this table focused on when Barolo tannins start to soften and when wines come on stream for drinking. The lighter framed 2014s were up against it, sandwiched as they were between the more tannic 2013s and the bolder, richer 2015s. That said, many clients commented on the attractive nature of Vajra’s 2014 Ravera, which, like the 2017 of the same wine, showed in a forward drinking manner with a dark, glossy fruit, floral aromas and hints of spice. Indeed, all Vajra’s wines were complimented for their accessibility and the purity of the fruit. Finally, the two 2015s proved fascinating to taste. Giovanni Rosso’s Cerretta shows just why there is excitement brewing about this estate. It captured a flinty mineral note that added complexity to a rich palate of dark, slightly brooding fruit, while the tannins were finely expressed and far less obtrusive as they can be in young wines from this Serralunga d’Alba-based cru. Vietti’s inaugural Riserva also attracted plenty of attention; the extra ageing having softened and rounded out the tannins.All in all, the evening was a great success and we have received many positive comments on the venue and the format. We will certainly be running another event at this venue in the New Year.My final thoughts concern the way in which things have evolved in Piemonte. Climate change has meant that Barolo vintages face few of the pitfalls they once did. Instead, there are different challenges, more often than not related to heat and drought. In rapid time, growers have adapted in both the vineyard and cellar to meet these challenges, and today, I would argue, Barolo is one of the most consistent wine regions in Europe. There is just so much to explore, different crus with different altitudes, exposures and soils, as well as producers who employ different techniques. Without doubt, Nebbiolo is a sensitive grape variety that reveals different nuances in different conditions; it rivals Pinot Noir in this respect. Putting on a tasting like this allowed us to share our fascination with the wines and the region. Frankly there has never been a better time to buy Barolo – perhaps you could argue it is the last bastion of great value for finely nuanced reds In Europe. Certainly, £300 per case doesn’t get you far in Burgundy or Bordeaux, but it can get you an impeccably crafted, single vineyard Barolo. That point came across loud and clear to our audience on Wednesday night.

Shipping to the USA - made easy

’Your service in organising and shipping my wine from the UK to California was excellent - quick, efficient and stress free’’.Jack K. Through our long-standing partnerships with trusted global shipping companies, Atlas Fine Wines provides comprehensive door-to-door services across the United States. Whether by air or sea freight, we handle all aspects of the shipment process. Recognising that costs and terms differ by state, we offer detailed quotations that outline the costs involved, including insurance. Additionally, we recommend temperature-controlled services for valuable and exceptionally rare fine wines. Our services cater to shipments of all sizes, ensuring a seamless experience for every client. You would also be provided with a link allowing you to track your consignment once it has cleared customs. For more information, or to discuss your requirements in more detail please send an email to: celine.larkin@atlasfinewines.com

Atlas Fine Wines' Simon Larkin MW reviews 12 Saint-Julien 2005 Châteaux

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