2015 Schioppettino di Cialla : the ability to weave liquid magic

November 11, 2020

‘Friuli Venezia Giulia’s Schioppettino is one of the world’s most interesting and potentially great red grape varieties’, Ian d’Agata, vinous.com

A client and good friend once asked whether I ever became bored of tasting wines and writing up offers. My answer was simple, no, because there is always something else to find out, to learn, to taste. This neatly brings me to a grape variety I had never before tasted, namely Schioppettino – has there ever been a more Italian-sounding varietal? Italy is fascinating on many levels, but the enormous diversity of indigenous grape varieties, from the sun-drenched toe up to the snow-capped Alps and Dolomites, is unsurpassed. I remember reading a Jancis Robinson article that cited over 1,200 varieties, though not all are being employed in commercial production. Either way, perhaps I can be forgiven for not having chalked up Schioppettino until now!

Schioppettino’s roots stretch back to the 13th century, when it was associated with the communes of Prepotto and Albana to the east of Friuli-Venezia Giulia, some 50km northeast of Venice. Today it is still grown here and over the border it shares with Slovenia, but very little of it remains. By the 1970s, not one estate was making a varietal Schioppettino, until the Rapuzzi family of Ronchi di Cialla took up the challenge after being encouraged by Italian wine journalist Luigi Veronelli. Today, other producers exist, all encouraged by the success that they have witnessed at Ronchi di Cialla.

When the Rapuzzis founded Ronchi di Cialla (ronchi meaning cultivated hillside in Italian and cialla derived from the Slovenian word cela, meaning stream), Schioppettino was not even authorised for cultivation by the Ministry of Agriculture. After a lengthy period of lobbying to get Schioppettino recognised, including founding an awards ceremony to champion the uniqueness of Friuli, in which the Rapuzzis won favour, Schioppettino was finally authorised and Ronchi di Cialla’s first official vintage was the 1977. This is very much the abridged version and if you are interested in reading more, Ian d’Agata wrote a great article on this estate for vinous.com in June 2017 that is hugely informative. I won’t get into to an analysis of Italian Wine Law, but it is remarkable to think that planting and cultivating Schioppettino, an indigenous variety that had been cultivated here since the 13th century, was at any point illegal! When the Rapuzzis planted vines at Cialla they were effectively breaking the law. If you think the struggle with the authorities sounds like a nightmare, consider that Friuli was devastated by an earthquake in 1976, which destroyed the cellar at Ronchi di Cialla forcing the Rapuzzi family to pick themselves up and start over once more…

Today, all of these trials and tribulations are behind them – the estate is well-established and extends over 28 hectares, eight of which are planted with Schioppettino, largely on marl soils. In fact, Ronchi di Cialla is the reference point for the variety and is one of only two estates in Italy that are recognised as DOCs or appellations in their own right – the other being Sassicaia. Two different qualities of Schioppettino are made, with the Schioppettino di Cialla offered here representing their top bottling and most ageworthy wine. Indeed, the Rapuzzis hold back stock to mature it in their own cellars for later release, so this estate has extensive library stock by Italian standards. The fruit for the top bottling sees around 20 to 25 days of maceration (skins in contact with juice) and this is edged back for the entry level offering, labelled Ribolla Nera. Ageing for the ‘Cialla’ cuvee takes place in French oak barriques, with just 10% new oak in order not to overshadow the fruit. It is aged for 14-18 months in barrique before bottling, depending on the vintage, and is then aged for a further 30-36 months in bottle before release – nothing is hurried.

Schioppettino prefers cooler microclimates and can struggle in hot vintages as it has relatively thin skins – Pierpaolo Rapuzzi compares it to a white variety in terms of its demands and harvest is invariably in the latter half of October. The variety captures terrific scented blueberry and cherry fruit – that is what struck me when I tasted the 2015, and as it opens with air, it reveals a juicy, fresh fruit underscored yet not overawed by a fresh vein of acidity. I was really struck by the sleek, satiny texture of the wine – the structural components, tannins and acidity, that we tend to comment on with young wines, are small footnotes with neither making a dramatic stand. I liked the effortless nature of the wine and as I allowed it to open in the glass, I was struck by this spicy, peppercorn note that added a very distinctive complexity to the juicy damson and dark cherry notes. This isn’t a wine that boldly makes an initial statement, it gradually impresses you, but don’t be fooled – there is a depth and intensity of flavour here even at a mere 12.5% of alcohol. It is a very refined style – all about elegance and purity. I think Ian d’Agata says it best; ‘in the right hands Schioppettino is able to weave an uncanny amount of liquid magic’.

2015 Schioppettino, Ronchi di Cialla

£145 per 6 bottle case in bond
£160 per 3 magnum case in bond
93 points, Ian d’Agata, vinous.com

Bright, deep ruby-red. Captivating aromas of boysenberry, blueberry and balsamic reduction. Dense, sweet and savory, with exotic flavors of candied blackberry, wet stones and sandalwood. Sneakily concentrated, complex and enlivened by perfectly integrated acidity, this lovely example of Schioppettino finishes long with a refined mouthfeel but also palate-staining depth. Drink 2018-2029.

NB. We will be making our shipment as soon as we can, but the stock may not be available for delivery until after Christmas.

Please let us know of your interest. You might be able to tell that I was surprised and impressed in equal measure by this beautiful wine.

All the best,

Simon

Back to Offers

Related news

Top tips and conclusions from the Atlas Big Barolo Bash

After our Big Barolo Bash held at Salisbury House, EC2M, on Wednesday 4th December 2024, I thought I would share a few thoughts as it is not often that you get the chance to compare 42 different Barolo spanning vintage 2011 to 2019.The wines shown were grouped by vintage rather than by grower. The aim was to encourage an understanding of vintage characteristics. We also felt this would spare clients the significant challenge of moving from a softer, lighter vintage to a richer, more tannic one and then back again in a repeated cycle through all producers. Deciding on a tasting order is never easy, even more so with a variety like Nebbiolo, known for its bright acidity and structural tannins. Our buyer, Seb Agnello, manned the 2018 and 2019 table. These two vintages show distinctly different styles. 2018 was a more mixed vintage, still with some notable successes. It is a lighter expression of the Nebbiolo variety, but by no means a poor vintage. It has always been our view that it was a misunderstood vintage; wines from this year have shown appreciably better after a little time in bottle, having been difficult to read when very young. From the wines shown, the Barolo Prapo from Ettore Germano impressed clients with its cherry red fruit – for a Barolo from Serralunga d’Alba, a commune known for richness and power, this is an incredibly pretty example, vintage in, vintage out. Chiara Boschis’ blended Barolo, Via Nuova, drawn from various crus from the across the region, received plenty of praise from clients, too. Perhaps the wine that impressed most from this selection was Vietti’s Cerequio 2018, which showed blue fruit touches, a fine freshness and those slightly rounder tannins that are common to La Morra. The 2019s were a last-minute addition and were the two single vineyard wines of Andrea Bosco which offered an opportunity to compare a Barolo from the lighter soils of Verduno with a richer wine from La Morra; respectively, the wonderfully refined Agostino Bosco, Barolo, Neirane and the darker, brooding Agostino Bosco, Barolo, La Serra. Clients seemed interested in how these two most recent vintages would shape up in time. While the 2019s are the product of hot year, these showed how that vintage manages to show a certain classicism. They will warrant 8 to 10 years in bottle before showing in their prime. In contrast, the 2018s, with their lighter accent, are already starting to show well, even if some of the leading examples will still demand 4- or 5-years patience before really starting to sing. The 2017 table was, for me personally, one of the most fascinating. Not only were some of the region’s most notable growers featured in this line up, but it showcased a vintage that I fear has been a little overlooked. 2017 was a hot and dry vintage and in an earlier era I don’t believe the wines would have come through as well as they have. Growers have had to adapt to modern day conditions in Barolo; whatever way you cut it, this is down to climate change. As I remarked to various clients, in the 1990s there were perhaps three notable vintages which delivered ripe fruit and fine structure, other vintages in which many growers lost precision and freshness in their wines but a greater number of years in which it proved tough to ripen Nebbiolo fully. Leaf-plucking became routine to expose the fruit to the sun and allow aeration. Rolling the clock forward, between 2010 and 2020 we have not had a bad vintage. There have been challenging conditions, but we have had four great vintages - 2010, 2013, 2016 and 2019. Then there have been some more mixed years, but ones in which good growers have nevertheless excelled. Today it is more about providing some protection to the fruit, as opposed to exposing it. This is quite an incredible switch around to have occurred in just 20 years. Growers have needed to learn fast – to learn how to prepare their vineyards for the modern-day challenges of heat and drought, when not so very long ago, the challenge was inclement weather. 2017 is a successful hot vintage, particularly given there were four months in the growing season without any rain. The cooler weather at harvest really assisted in providing freshness to the aromatics and brightness to the fruit; this was notably evident in the selection of 2017s at the tasting. The two wines from Brovia were just beautiful; both the Brea ‘Vigna Ca Mia’ and the Villero were way ahead of the quality that a reading of the vintage reports might suggest possible. Instead we found pure fruit, refined tannins, glossy textures and a complex amalgam of fruit nuances and tertiary notes. Equally compelling were the duo from Poderi Oddero. In the amazingly graceful Vigna Rionda, from one of the region’s finest terroir, Oddero has crafted a genuine beauty in 2017 and I would suggest it isn’t far removed from the quality they delivered in the tremendous 2016 vintage; this should be a wine on your watch list if you a fan of the finest Barolo. The Bussia Vigna Mondoca showed in a similarly impressive manner; Bussia, in Monforte d’Alba, is a controversially large cru but when you taste wines of this calibre, there is no doubting that it has the potential to rank highly, depending on the exact location of the vines within the . Very rich, with a deep damson, plum quality to the fruit and hints of spice, this rich Barolo will demand patience, even in a year like 2017 where some wines are starting to drink. In this latter category, we would place Vietti’s reliable Castiglione blend and, surprisingly, Vajra’s 2017 Ravera, which seems to show very little of the austerity that is more typical of this cool, elevated Novello cru. The 2016 table certainly drew considerable attention, as clients were aware that this vintage is considered to be one of the all-time greats. The 2016 vintage represented the perfect growing season with no excesses or problematic weather. These wines have such appealing fruit and fine tannin that a number show that they are already approachable though even the humblest from this vintage have ageing potential. The table was manned by Atlas’ Nick Pitcher, who commented that clients were impressed by the 2016 Barolo del Comune di La Morra from Renato Corino on account of its expansive, rounded fruit. Renato has always made rich, softly textured wines and his entry level Barolo, principally made from young vines in Rocche del’ Annunziata, has always been considered by Atlas to be something of a bargain; the 2016 is no exception in this respect. Brovia’s Barolo 2016, from across their holdings, also impressed, making for an impressive showing on the night for this traditional producer when you consider how well their 2017s showed. The Brovia and Corino 2016s offer great value, a point borne out by client purchases! Parusso’s lesser known Mariondino from Castiglione Falleto also won favour with its intense fruit, with the touch of oak adding tobacco and vanillin notes, one of the few wines in the room to be aged in that manner. Nick also showed the component wines of Arnaldo Rivera’s Collector’s Case, as Nick said what a vintage for the cooperative of Terre del Barolo to launch a premium mixed case. Clients were fascinated to taste six different crus, each from one of six of the different communes of Barolo, all from the same producer, and from the same vintage. As one client commented ‘A great dinner party experience to be had tasting single cru Barolo at a bargain price!’. It is hard to argue with that. While the Arnaldo Rivera wines aren’t in the Premier League of Barolo, they are well made, approachable and provide a good introduction to understanding the single cru vineyards and the communes that make up the patchwork that is Barolo. Unsurprisingly, the lighter tannins and juicy red from on the Monvigliero impressed various tasters as did the richer, Vigna Rionda. The inclusion of the 2016 Neirane from Agostino Bosco sparked interest too, with many clients returning to the 2019 to refresh the comparison; the 2016 is just starting to drink as this vineyard possesses lighter soils with an element of sand, whereas the 2019 will need more patience. Then finally, we had a mixed table spanning the vintages from 2015 back to 2011, manned by Atlas’ Toby Herbertson. This table was a real draw as it allowed clients some insight into how Barolo ages; this was very much needed as some clients weren’t particularly familiar with the region. Some clients started tasting here, which might not have made it easier to move onto younger wines thereafter. The ability to compare wines from the same growers in 2011 and 2012 fascinated people and both vintages impressed. 2011 is one of those vintages that is starting to drink really well – it was a hot vintage, by the standards of that point in time, but it was wonderful to see how, if anything, the wines seem to have picked up a little more precision as they have aged. Both the Sandrone Cannubi Boschis 2011 and the Vietti Ravera 2011 found favour. The 2012 Sandrone, Le Vigne, shows just how well Sandrone adapt to vintage conditions. The 2013 Cappellano Pie Rupestris was very popular on the night; clients were impressed by the complexity and quality, though some struggled to spot the value in contrast to other wines shown. The conversation surrounding this table focused on when Barolo tannins start to soften and when wines come on stream for drinking. The lighter framed 2014s were up against it, sandwiched as they were between the more tannic 2013s and the bolder, richer 2015s. That said, many clients commented on the attractive nature of Vajra’s 2014 Ravera, which, like the 2017 of the same wine, showed in a forward drinking manner with a dark, glossy fruit, floral aromas and hints of spice. Indeed, all Vajra’s wines were complimented for their accessibility and the purity of the fruit. Finally, the two 2015s proved fascinating to taste. Giovanni Rosso’s Cerretta shows just why there is excitement brewing about this estate. It captured a flinty mineral note that added complexity to a rich palate of dark, slightly brooding fruit, while the tannins were finely expressed and far less obtrusive as they can be in young wines from this Serralunga d’Alba-based cru. Vietti’s inaugural Riserva also attracted plenty of attention; the extra ageing having softened and rounded out the tannins.All in all, the evening was a great success and we have received many positive comments on the venue and the format. We will certainly be running another event at this venue in the New Year.My final thoughts concern the way in which things have evolved in Piemonte. Climate change has meant that Barolo vintages face few of the pitfalls they once did. Instead, there are different challenges, more often than not related to heat and drought. In rapid time, growers have adapted in both the vineyard and cellar to meet these challenges, and today, I would argue, Barolo is one of the most consistent wine regions in Europe. There is just so much to explore, different crus with different altitudes, exposures and soils, as well as producers who employ different techniques. Without doubt, Nebbiolo is a sensitive grape variety that reveals different nuances in different conditions; it rivals Pinot Noir in this respect. Putting on a tasting like this allowed us to share our fascination with the wines and the region. Frankly there has never been a better time to buy Barolo – perhaps you could argue it is the last bastion of great value for finely nuanced reds In Europe. Certainly, £300 per case doesn’t get you far in Burgundy or Bordeaux, but it can get you an impeccably crafted, single vineyard Barolo. That point came across loud and clear to our audience on Wednesday night.

Shipping to the USA - made easy

’Your service in organising and shipping my wine from the UK to California was excellent - quick, efficient and stress free’’.Jack K. Through our long-standing partnerships with trusted global shipping companies, Atlas Fine Wines provides comprehensive door-to-door services across the United States. Whether by air or sea freight, we handle all aspects of the shipment process. Recognising that costs and terms differ by state, we offer detailed quotations that outline the costs involved, including insurance. Additionally, we recommend temperature-controlled services for valuable and exceptionally rare fine wines. Our services cater to shipments of all sizes, ensuring a seamless experience for every client. You would also be provided with a link allowing you to track your consignment once it has cleared customs. For more information, or to discuss your requirements in more detail please send an email to: celine.larkin@atlasfinewines.com

Atlas Fine Wines' Simon Larkin MW reviews 12 Saint-Julien 2005 Châteaux

Learn about the wines of one of Bordeaux’s most consistent communes in our latest YouTube video. Join Simon as he shares his insights following an extensive tasting of all 11 Classified Growth Châteaux of Bordeaux’s Saint Julien appellation, plus one outlier. All the wines tasted were from the 2005 vintage – "one of the greatest vintages Bordeaux has ever produced." As Simon suggests, Saint-Julien may lack a First Growth Château but, tasting wines such as Léoville-Las Cases and Ducru-Beaucaillou in such a great vintage, it is hard to argue that they are not of First Growth quality. See below for Simon's tasting notes.